"Subterranean Subtext : A Subservient Civilization Rooted in Excess" (2019)
"Subterranean Subtext : A Subservient Civilization Rooted in Excess" (2019)

Collage and acrylic paint on watercolor paper. 48”X40”

"Still Life with Avocado Toast"
"Still Life with Avocado Toast"

Acrylic paint collage on paper

"House on the Way Home"
"House on the Way Home"

Acrylic paint on paper. 24” diameter.

"Kind of Woman" (2016)
"Kind of Woman" (2016)

Oil paint on gessoed paper. 18"x24".

Automatic collage. Post-production meaning applied by artist : The process of objectifying people involves reductive categorization.

"Fall Like Lumps of Meat" (2016-2017)
"Fall Like Lumps of Meat" (2016-2017)

18"x24". Oil on gessoed paper. 

Automatic collage. Post-production meaning applied by artist : Humans INHUMANELY commit violent acts on fellow humans. Line borrowed from PJ Harvey's song, "The Words That Maketh Murder".

FullSizeRender-5.jpeg
"Cotton Candy Clouds" (2018)
"Cotton Candy Clouds" (2018)

Acrylic on paper. 14”X11”.

"Language is a LA Bathroom" (2017)
"Language is a LA Bathroom" (2017)

Oil on cradled panel. 24"X20". 

"Bonheur de..."
"Bonheur de..."

30"X24". Oil on canvas with LED lights. 

"The Figure Model's Lunch Break" (2017)
"The Figure Model's Lunch Break" (2017)

Oil on cradle panel. 12"X12". (On sale at $100 Art Show at Exposure Gallery, Sioux Falls, SD)

"Room Inverted" (2017)
"Room Inverted" (2017)

Oil on panel. 24"x24".

"Cling Machine" (2017)
"Cling Machine" (2017)

Oil on cradled panel. 15" x 23".

In consideration of the contemporary person's attachment to materials. 

"Rise and Demise" (2017)
"Rise and Demise" (2017)

Oil on stretched recycled fabric. 

 

"Subterranean Subtext : A Subservient Civilization Rooted in Excess" (2019)
"Still Life with Avocado Toast"
"House on the Way Home"
"Kind of Woman" (2016)
"Fall Like Lumps of Meat" (2016-2017)
FullSizeRender-5.jpeg
"Cotton Candy Clouds" (2018)
"Language is a LA Bathroom" (2017)
"Bonheur de..."
"The Figure Model's Lunch Break" (2017)
"Room Inverted" (2017)
"Cling Machine" (2017)
"Rise and Demise" (2017)
"Subterranean Subtext : A Subservient Civilization Rooted in Excess" (2019)

Collage and acrylic paint on watercolor paper. 48”X40”

"Still Life with Avocado Toast"

Acrylic paint collage on paper

"House on the Way Home"

Acrylic paint on paper. 24” diameter.

"Kind of Woman" (2016)

Oil paint on gessoed paper. 18"x24".

Automatic collage. Post-production meaning applied by artist : The process of objectifying people involves reductive categorization.

"Fall Like Lumps of Meat" (2016-2017)

18"x24". Oil on gessoed paper. 

Automatic collage. Post-production meaning applied by artist : Humans INHUMANELY commit violent acts on fellow humans. Line borrowed from PJ Harvey's song, "The Words That Maketh Murder".

"Cotton Candy Clouds" (2018)

Acrylic on paper. 14”X11”.

"Language is a LA Bathroom" (2017)

Oil on cradled panel. 24"X20". 

"Bonheur de..."

30"X24". Oil on canvas with LED lights. 

"The Figure Model's Lunch Break" (2017)

Oil on cradle panel. 12"X12". (On sale at $100 Art Show at Exposure Gallery, Sioux Falls, SD)

"Room Inverted" (2017)

Oil on panel. 24"x24".

"Cling Machine" (2017)

Oil on cradled panel. 15" x 23".

In consideration of the contemporary person's attachment to materials. 

"Rise and Demise" (2017)

Oil on stretched recycled fabric. 

 

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